Episode 34

They Don't Need All of It (They Need the Best of It)

Published on: 28th September, 2026

Two hours before people logged on to Jess Webber's Lead Magnets Made Simple class, she scrapped the version she had already finished and rebuilt it smaller. That is not what panic looks like. It is what caring what someone walks away with actually looks like.

What This Episode Is Really About

Jess had been inviting people to this class for weeks. It was a fundraiser for her son's cardiac heart walk team, and she wasn't going to show up half prepared for something with her name on it and a cause behind it. Earlier in the week she nailed down the framing and built the teaching assets: a PDF, a Google Doc, a slide deck to keep her ADHD on the rails. Finished, on schedule.

Then, two hours before she taught it live, she ran through her own material and it felt like too much. Eight steps. She couldn't move through her own process without leaning on notes. So she cut it to five, changed the packaging and the explanation, and kept the outcome exactly the same. This episode is the filter she built out of that decision, and the bigger pattern underneath it: why more information gets treated as more value when it usually isn't.

In This Episode

Why Jess scrapped a finished class two hours before teaching it live, and why that wasn't panic How she works with her own deadline-driven, ADHD brain instead of against it Why she cut her original process from eight steps to five, and what stayed exactly the same How verbally dumping her whole process into AI, then using it to rebuild fast, shaped the class Why volume is now nearly free, which makes judgment about what to leave out the only scarce skill left Why Jess doesn't script her teaching, and what her slides are actually for The real reason more feels like safety, and how it connects to imposter syndrome The same edit she's made for decades, in real estate training and in teaching history The Highest-and-Best Filter, named after the multiple-offer process in real estate, and the three questions that run it The difference between a resource and a route, and why some things are allowed to stay big

The Big Idea

More information is not more value. It's often armor, a way of proving you earned your seat without ever risking speaking from what you actually know. The Highest-and-Best Filter asks a different question: not what could I include, but what does this person, right now, most need from me to get the outcome. Everything else is theoretically true and practically in the way.

Memorable Lines from This Episode

"I figured if I can't carry my own process or idea without some sort of visual crutch, then what are the odds that somebody sitting in the class is going to be able to do that as well."

"If I had scripted everything, it would have made me a performer, not a teacher."

"The natural behavior of more is actually a mask for imposter syndrome."

"A pile of extra things doesn't make you look good. It makes you look harder to say yes to."

"Nobody leaves a training remembering how much you covered. They remember whether it worked, and whether they felt capable enough to do the thing you presented on afterward."

"Simple is caring. Complex isn't."

Resources

Your One Thing This Week

Before your next deadline, run whatever you're building through three questions. What can the other person do when this is over that they couldn't do before? Who is each piece actually for, you or them? And if this were the final send, would you still ship it? If you hesitate on that last one, you already know what to cut.

Connect with Jess

If this one landed, come find me at BigIdeasMadeSimple.com. That is where the newsletter lives, where everything I am building is taking shape, and where you can connect directly. One idea in your inbox every week, nothing else. And if you know someone who's drowning their own good work in more steps, more slides, and more explaining than anyone asked for, send them this one. The right idea at the right time changes everything.

Follow Jess: @thejesswebber on Instagram, YouTube, LinkedIn, and Facebook

Key Themes

Simplifying what you teach without losing the outcome The Highest-and-Best Filter Imposter syndrome and over-preparing as armor AI as a speed tool, not the source of the ideas Curriculum design across industries Resource versus route Deadlines as a forcing function for fast, high-capacity brains

Transcript
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Hey there, it's Jess Webber, and welcome back to Big Ideas Made Simple.

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My North Star is connecting people with the knowledge,

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tools, and resources that let them make their biggest impact,

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which is kind of funny considering that today's episode is really focused

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on about giving people less of both.

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So this stems from a class that I taught on Friday afternoon,

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which was called Lead Magnets Made Simple.

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And about

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Two hours before people logged on to get the curriculum that I had written,

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I ended up scrapping the whole thing.

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Now, that's not me rushing around or being panicked or anything like that.

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The thing that I tore apart was the more complicated structure delivering

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the same outcome that I had promised when people signed up.

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It was probably the best two hours I had spent in the entire time since

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I decided to teach the class.

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Because I made sure to really consider what I was giving people

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and what they could take away from that class on the other side.

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So literally weeks ago,

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I started inviting people to this class because I built it as a fundraiser

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for my son, my son's cardiac ~ heart walk team.

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I wanted people to understand that they were getting value,

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but they were also supporting a good cause.

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And I knew that anything that I put my name on that I wanted to show up to,

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I was going to show up with intentionality.

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It wasn't going to be some half-assed thing that didn't have some preparedness

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behind it.

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And so ~ in true Jess fashion,

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earlier in the week I nailed down the framing,

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I built the teaching assets, you know,

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PDF, Google Doc, Slide Deck that helps keep my ADHD on the rails.

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And it was all ready to go before the Friday class.

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But my best work always comes when there's a deadline.

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I leverage time as a tool, and I need that clicking talk to.

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Clicking talk, that ticking clock to

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be loud enough that I can actually hear it to really do my best work.

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And once I learned that about myself,

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I didn't feel badly about it. I gave myself permission to leverage that

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and make sure that I could show up in a way that worked with my brain rather than

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against it. And so I built something early enough that it was safe.

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And then I knew and actually put it on my calendar,

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space for edits to happen right before I delivered live.

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Because that's what was gonna work for me.

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And so if you're somebody who's ADHD or fast-brained,

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high capacity person, you probably do the same thing of you have a product,

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you push it out, but then you get other ideas almost when it feels like it's

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too late to execute on them. But for me,

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I've

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Because I've learned how to work with myself,

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I didn't believe that that early in the week prep or the ideation I

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did three weeks before that was probably.

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It just started working again with the way that I operate.

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And so my original plan had more steps involved than what I actually ended

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up teaching. I cut them almost in half.

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And it's not because the steps are a mistake,

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but because

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I wanted to sit with what I had originally drafted and really consider

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is this the cleanest, clearest,

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simplest way to deliver the message that I have for those attending?

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The deadline is just what helped my brain force the decision making process to say,

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no, everything that I wrote down is too much.

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Let me clean it up and simplify it.

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And so again, I flipped through those slides.

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I looked at the PDF and the Google Doc and it felt

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Like too much to teach in a 60 minute window.

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And it wasn't wrong, but it was too much.

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The process had eight steps. And I was like,

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there's no way I can move through this or even remember all eight.

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I don't have enough, you know,

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fingers on one hand for that. And so I figured if I can't carry my

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own process or idea without some sort of visual crutch,

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then what are the odds that somebody sitting in the class is gonna be able

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to do that as well, walking away from?

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And so that's why I cut it down to five.

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Because again, everything that I try to do,

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I make it easier, cleaner, clearer.

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And I love working with numbers between three and five for processes because

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we have enough fingers on our hands most of the time to reference it.

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It makes it tactile for your kinesthetic learners.

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It makes it visual for your visual learners.

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They can sit there and write them down and not get lost in a list.

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And so

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I'm I'm sharing all this because I want you to understand that when

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you can create something simple and clear,

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then it becomes a delivery system that somebody else could go turn around

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and teach as well. I never changed the outcome of this workshop.

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I didn't change my actual process or the pro what it produces,

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but I changed the packaging and the explanation of my process.

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So I reworked

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How the class was positioned and simplified that language so somebody hearing

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it for the first time didn't need a just translator.

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process, same result, a much better chance that somebody actually does

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the steps instead of just admiring what I did or.

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Filing the PDF away for later.

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I'll tell you how I delivered that class as well,

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just in case it benefits those that are listening.

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I did start out talking. So I I verbally vomited this entire process

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in to AI. And so I wanted to put everything that I could think of about lead magnets

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unfiltered in one place. And then I used an AI partner to structure that,

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turn it into assets, turn it into the frameworks.

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It's also the tool that let me rebuild all of this fast enough.

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So if I were the type of person doing this five or 10 years ago without that tool,

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I still probably would have simplified stuff.

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I just might not have changed everything as hard as I did this time around.

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But I again authentically came up with everything.

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This was all my IP and my presentation.

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And I think that's why I needed to share this here is because there's

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a couple of ideas that I have.

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First of all, AI made this easier,

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right? Those those verbal vomits,

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those all that ideation, all the research,

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it made things so much easier.

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So something that's a multi-page document or the 40 slides,

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that would have taken time, hours even.

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And now it costs a couple of minutes and some patience.

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And so now that the volume and the production is essentially almost free,

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especially on human capital, then the only thing left

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is judgment about what to put in and what to leave out.

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And so the tool will cheerfully give you eight,

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10, 12 steps, and it'll never tell you that the person in the room might

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not be able to receive all of those.

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That's why.

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The human element, the capacity piece matters so much here because your discernment

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and ability to say what is the clearest,

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simplest path to the outcome that I named based on the steps that I have done,

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that's what matters here, my friends.

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So I don't script my teaching.

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I don't write out what I'm gonna say.

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The only reason I use slides are they are one for visual learners,

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and two, they're

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guardrails from me because you've you've heard me maybe on this podcast before

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you've heard me potentially other places.

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I know my brain can go everywhere.

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I can get distracted by questions.

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I can have the best of intentions and have a framework,

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but then something else might get in the way.

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And so those slides help play connect the dots between the ideas that I know that

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I want to deliver so that the person can have the outcome.

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And so whenever I look at a process

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And I also look at where somebody is starting,

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I want to make sure that those dot connectors are simple and clear

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and they're not massive leaps.

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If I had scripted everything, it would have made me a performer,

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not a teacher. Assets give me structure,

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they give me something that I can hand people who are different types of learners,

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but they aren't the crutch necessary to deliver the content.

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Because I already did the work.

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I already did the thing and I was teaching from a lived experience.

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And so the question that I kind of had coming into this episode that lies underneath

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all of it is, is why do we as high capacity humans,

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fast thinkers, big-brained, multi-faceted individuals,

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why do we feel like more is necessary?

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Why is more necessary?

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The default in the world today.

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Why did I start out with eight or ten steps,

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then, you know, cut it down? And I think,

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you know, if you go back and look at courses,

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trainings, whatever you've bought recently,

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I notice this happen a lot. ~ if you buy quickly,

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you get more. If you pay in full versus installments,

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you get more.

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Psychologically speaking, we are equating more with safety.

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It's armor. We believe that the more information or the more assets,

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the tool vomiting is how we manage things,

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whether it's judging whether an investment is valuable or judging

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if our delivery of something is valuable.

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Because if I gave you every framework,

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every tool, our entire stack, then nobody in the room could say that

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I didn't earn the right to be there.

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It's literally a self-defense mechanism or a presenter's version

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of walking into an interview with a binder so thick that nobody could ever

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ask what's missing. But here's what I've been thinking about since

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I asked that question is I think.

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The natural behavior of Moore is actually a mask for imposter syndrome.

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And it gets a lot of its fuel from performance anxiety

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and expertise instead of speaking from the place of true experience,

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right? We are trying to perform to convert,

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to convince rather than speaking with authenticity and

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Through something that we already know and trust in ourselves.

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When you talk from what you've actually done,

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there's no gap between the person on the stage and the person that you are offstage.

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You aren't protecting anything.

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And so you're not padding anything with extra junk.

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Like I said, that binder is something that people bring as a barrier,

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a protective force for themselves when they're afraid that they're

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not enough on their own.

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And I think that's what we are seeing people do in today's world because they

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are trying to put something out that they haven't done.

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And I mean, you can stack the whole culture and behavior on

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top of it because we live in such a tech heavy,

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information heavy world that I think there's this natural inclination,

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just generally, I don't think anybody actually said it,

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that more equals more value.

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So more modules or bonuses, more features in a tech stack,

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whatever it is, means more value.

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But it's not true, my friends.

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More is not better. And now that all of those things can be created in minutes,

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it's not even convincing anymore.

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When they're paying for an outcome,

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they're not paying for you. But when you go into something with all of the extra,

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you feel like you are pricing yourself.

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And it may feel really impressive,

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but that's really just an ego stroke.

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And the thing you have to be so careful about is when you give people more,

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they often end up stuck. They take home stuck,

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and that leaves a bad taste in their mouth.

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Nobody leaves a training remember how much you covered.

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They remember whether it worked and whether they felt capable enough to

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do the thing you presented on afterwards.

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And so I have been making this same edit my whole career

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in rooms that have nothing to do with each other.

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I actually started,

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you know, in education and then went to real estate and found myself educating

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in the real estate space.

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And it's so funny because my brokerage was known as the training entity across

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all of real estate industry. So complete participation guides,

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instructor scripts, every word of what an instructor had to say or do was drafted.

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And when I was handed that curriculum,

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I would look through it. I'd start with the participant guide and

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see what people were getting in the room.

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Then I'd go see what gaps they were trying to fill in with the instructor material.

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And then I just start ripping pages out.

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I'd be like, nope, this is the thing,

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this is the thing, and this is the thing.

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Not because any of it was wrong or the people who crafted that curriculum were were

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bad, but they weren't thinking about the agent receiving that information

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in today's environment. And they don't need somebody to hand them

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a curriculum binder. They need a space to connect with an idea.

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And the people who are also living in that space trying to achieve that outcome.

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From that idea. And so I would edit for the room that I was going to be in.

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I would add in stories and real examples of past clients or students

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or whomever who got results so the people in the room that day could

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see themselves in that framework or in that story.

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But if somebody's just in there taking copious notes and copying things off a board,

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they're not going to turn around and go out into the world.

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And execute on what they just heard.

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Somebody who is getting results is somebody who's trying the thing because they

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understand it and how it relates to themselves.

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And it's a design lesson that I think it's not talked about enough.

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When an instructor's script gets written so that nobody can teach

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it differently or nobody can go wrong,

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that

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Is like the guardrails or the bumpers on the bowling alley lane for the instructor.

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But the trimmed down version is built for the people,

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the participants in the room. Those are two totally different things.

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One protects the person delivering the content,

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especially if they're a person who hasn't delivered the outcome.

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The other protects the people who are there to receive the information

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and gain the outcome. And when nobody chooses.

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The safer one, the instructor side,

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default wins every time, which is why more shows up time and time again

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in all of these products and all of these coaching,

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you know, courses, PDFs. I don't care what it is.

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And then when you go back even further,

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I mean, I I did this even in my education before real estate,

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now that I think about it. When I was teaching history,

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I was not the type of teacher who was like,

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yep, you need to memorize these dates.

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Because the dates were for a trivia team.

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Dates and numbers are data,

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and data regurgitation is not going to change how a kid sees the world

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or shows up in it. What I cared about was the why.

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Why did people do this thing? Why did they understand things this way?

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What made them do this?

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And what was the cost that they paid for it?

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I

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Felt like the psychological connection to historic events was the outcome that every

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student needed when we studied history.

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It was the lesson under the event because we already know that history is cyclical,

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but how do we not repeat the same patterns again because we've learned from them?

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And so every unit that I built started from that question:

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what was in it for them? Every class I've ever built.

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What was in it for the person in the room?

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Not what's in the textbook, not what's on the curriculum map.

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What is the person walking in gonna walk out with?

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And how is that gonna impact the decisions they make with the rest of their life?

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So different decades, different subjects,

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different industries, even. It's always the same edit.

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It's never about looking good or smart or experienced.

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It's about making sure that the people in front of me.

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Could do something that they couldn't do before they walked in.

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And so this filter that has become the pattern of my educating life,

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I'm calling it the highest and best fit filter.

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And the name is coming from that real estate industry.

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You know, if you think about putting an offer in on a house,

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multiple offers are coming in,

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the listing agent calls and says,

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hey.

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Every buyer gets to submit one last,

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they get to submit their highest and best offer.

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And then we will look at all of those by the deadline and make a decision.

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What does a smart buyer do with that?

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They put whatever they can, highest and best forward.

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And that way they get to help hopefully entice the ~ seller to take their offer over

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all of the others because it's the last shot.

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And so that.

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Highest and best fit filter is the system that I run all

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of my information through, right?

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Because you it's not about all of the extra cluttered things.

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It's about clearly what do you get on the other side of this decision?

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A pile of extra things doesn't make you look good.

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It makes you look harder to say yes to.

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And then if you think about it,

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every time you hand somebody material.

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You're asking for an exchange of their attention or their time.

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And those are two of the scarcest commodities that they own.

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And so whether it's a class or a proposal deck or a conversation that you've

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been dreading, if you give your highest and best before the clock runs out,

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then that clock is a gift because it stops you from shipping added anxiety.

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So I run the highest and best filter with three questions.

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The first is, what can they do when this is over that they couldn't do beforehand?

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If you can't finish that sentence with a line,

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then you're probably not ready to cut because you don't know what you're trimming

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towards. The second question is

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who is each piece or each step of this curriculum,

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this product, whatever, this training for?

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And be brutal. Because if it's in there and it's about you,

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it's it's your protective armor in the shape of a binder.

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But if it's there because it helps remove confusion or prevent somebody from getting

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stuck at a specific spot, then it stays.

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And then finally, once you know who it's for and what you're giving them,

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you have to decide if this is the final send or not.

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Are you comfortable shipping this?

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Highest and best, is it submitted?

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If you hesitate, then you've probably got some padding that you can still trim

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off and you already know exactly what it is.

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So those questions sort everything into two easy piles.

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It's the stuff that helps them do something or the stuff that helps you feel safe.

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The first one is your IP, your intellectual property,

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and your material.

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The second is your emotions attached to the outcome.

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And they don't belong there.

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So if you happen to attend my class or if you want to buy the recording,

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happy to share. But what I notice what survived on Friday from my lead magnets made

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simple class. The steps survived.

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What got cut was explanation and language wrapped around them that made sense

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in my head, but they weren't necessary.

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For the audience. That distinction was my safety check.

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And after you cut something,

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ask whether the smaller version still gets the same outcome.

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If it does, then you edited packaging.

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And if it doesn't, you need to figure out what to put back.

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The cuts that sting are the pieces you're probably rather proud of,

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but I have to say that pride is a terrible editor.

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Because somewhere in every big build that I've ever done is a piece of myself that

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I loved because I overcame something.

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It was hard to figure it out, and you probably feel similarly.

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Something that's hard to build and something that's useful to your audience

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are two totally different measurements.

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And that first one only matters to you,

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where the second matters to the people buying.

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Some things do need to be big.

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Like a legal contract is long.

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You can't trim that. Or a reference manual giving somebody all of

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the steps of something.

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Those might need to be there in their fullest extent.

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So I'll draw the line between a resource and a route.

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A resource is something that people can consult and it has to be as big

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as it needs to be. Because again,

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the idea is nobody's carrying it in their head.

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But a route is something somebody has to walk,

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and it only works if they can remember where the next turn is and the steps

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to get there. So my original class version wasn't bad.

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It would have made a good reference,

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but it wasn't a solid route. And the trouble starts when we hand people

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a resource and call it a route.

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So if you've heard how I describe what I do,

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that's the entire job. A clear path through information to outcomes.

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That path is what people are paying for.

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The information they can get anywhere.

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And so a couple of episodes back,

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~ in the one about checking.

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A membership before you buy it.

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I talked about the how-to versus how you.

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And that's the same thing here.

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When you're on the receiving end,

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notice whether or not somebody is showing you everything they think they know,

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or if they're showing how they actually got you to where you want to

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go because they did it themselves.

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On this side of the microphone,

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it takes the same discipline. Episode 30 was about your mouth.

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ending the answer with the first true sentence.

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This one is about your materials.

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And so this makes me think of the book that I recently heard about called Simple

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Rules by Donald Sole and Kathleen Eisenhart.

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From what I understood about the book,

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which I haven't read in its entirety,

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is that the argument is that when things get complicated,

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a small set of simple rules tend to outperform any giant playbook because they

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can be used in the moment. And that's what I'm getting at here.

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I, it's funny, I was recently on another podcast called From Click

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to Client, hosted by the incredible Chris Jones.

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And

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The episode got framed around courses are dead and challenges

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are kind of the new way of connecting with your buyers.

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And the point that I made on it was what I'm talking about here.

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A short, well-built challenge that gets somebody a real outcome and builds trust

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and ends with an invitation instead of a pitch is gonna give somebody

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a very different feel.

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Than a course built to cover everything in a binder and sold as a product.

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Challenges work because people finish them and get a win.

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And finishing is the place where trust is built.

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So none of this is meant to be specifically about a coach world

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or course creator thing. It works in basically any industry.

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Anyone who has ever had to hand over what they know to another person

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is standing in the same spot.

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A manager writing a six-paragraph email s so nobody can say they didn't cover it,

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or an expert on a call who keeps talking because stopping feels like getting found

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out, or the person explaining something to a family member who only needed

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one thing. No matter who you are or where you are,

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when you're passing along knowledge,

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there's a version that you build for protection and a version that

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you build for their outcome.

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If you start watching this pattern,

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the protected version is always longer.

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And I know this episode is a little bit long,

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and it's ironic considering it's about cutting things down.

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But I wanted to sit here and give you this so that

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you understand that you have to have that highest and best filter.

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And I want you to practice it.

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So before your next deadline, before you hit your next send on something,

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what is the outcome? What could they do now that they couldn't do before?

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What are the steps that they take to get there?

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And is this the simplest,

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cleanest version that you can send?

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Simple as caring, complex isn't.

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Again, my North Star has not changed.

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It's getting people the knowledge,

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tools, and resources they need to have their best impact.

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But it turns out that the shortest route there usually runs through a

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lot fewer of all of those things.

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So, as always, thank you so much for listening.

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And details of all the things that I talked about in this episode are

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in the show notes. So don't forget to check those out.

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See you next time.

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About the Podcast

Big Ideas Made Simple
Clarity and decision-making for fast-thinking entrepreneurs
Big Ideas Made Simple is for fast thinkers who are tired of hiding behind hustle and perfection.

Hosted by Jess Webber, this show challenges socially acceptable habits like busyness, over-refining, and endless optimization—and replaces them with clear frameworks that create traction.

This is not a productivity podcast. It’s a decision-making podcast.

If you generate ideas easily but struggle to commit, contain, or ship them, this show will help you turn intelligence into visible impact.